Amy K. Bormet is an in-demand pianist, vocalist, and composer. The quintet from her debut album, Striking, was featured as part of the Mary Lou Williams Jazz Festival at the Kennedy Center. As an advocate for women in music, Amy created the Washington Women in Jazz Festival in 2011 and continues to serve as executive director. One of Amy K Bormet’s latest projects, Ephemera, is a platform for her new art songs with improvisation. Ephemera performed a two-week tour of Sweden.
Along with her performance career, Ms. Bormet is a prolific composer frequently combining improvisation with concert music. Recently Amy composed several pieces for the Capital City Symphony and her jazz ensemble, and premiered a concert of new works for string quartet and her jazz piano trio at the Smithsonian American Art Museum. She has been commissioned to write for Wild Up’s Work concert for classical bassist/vocalist Maggie Hasspacher, the Bohemian Caverns Jazz Orchestra, the Smithsonian Jazz Masterworks Orchestra, Afro-Blue, Howard University Jazz Ensemble, and the Brad Linde Ensemble among others. In addition to her albums, Amy’s recorded music can be heard in short films, radio dramas, and audio books.
Amy is an alumna of the Kennedy Center’s residency program for composer/performers, Betty Carter’s Jazz Ahead, the inaugural Mary Lou Williams Emerging Artist Workshop, and the Jazz Composer’s Orchestral Institute (American Composer’s Orchestra). She received her bachelor’s degree in Jazz Studies/Piano Performance from the University of Michigan, where she studied with Ellen Rowe and Geri Allen, and her master’s degree in Jazz Studies from Howard University.